(often simply W L Wyllie) (5 July 1851 - 6 April 1931) was a prolific English painter of maritime themes in both oils and watercolours. Wyllie was born on 5 July 1851 at 67 Albany Street, Camden, London, the elder son of William Morison Wyllie (d. 1895), a prosperous minor-genre painter living in London and Wimereux, France. His mother was a singer, Katherine Smythe Wyllie (d. 1872). Most of his early summers were spent in France with his parents. He began to draw from an early age, and his natural talent was encouraged by his father and by Lionel Smythe, his step brother. He was given a thorough artistic education; first at the Heatherley School of Fine Art, and then in 1866, aged 15, at the Royal Academy Schools. At the Royal Academy he studied under Edwin Henry Landseer, John Everett Millais and Frederic Leighton, among others.[2] He further demonstrated his precocious talent when he won the Turner Gold Medal in 1869 at the age of eighteen with Dawn after a Storm.   Related Paintings of William Lionel Wyllie :. | Ave Maria | Oil Painting of First Battle Cruiser Squadron of Grand Fleet c. 1915. | A Coastal Scene at Sunset | A Castle by a Lake | A Coast View |
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Maynard Dixon
American Painter, 1875-1946,was a noted 20th century American artist, whose oeuvre focused on the American West. He was married for a time to famed American photographer Dorothea Lange.
Arthur Fitzwilliam Tait
(February 5, 1819 -April 28, 1905) was an American artist who is known mostly for his paintings of wildlife. During most of his career, he was associated with the New York City art scene. Tait was born in Lively Hall near Liverpool, England. At eight years old, because his father went bankrupt he was sent to live with relatives in Lancaster. It is during that time that he became attached to animals. Later on, in Manchester, England, Agnew & Zanetti Repository of Art acquired Arthur Tait who began self-learning to paint, as a twelve-year-old boy.
Joseph Bidauld
Carpentras(Vaucluse)1758-Montmorency (Val d'Oise)1846 French painter. He was apprenticed in Lyon for six years with his brother Jean-Pierre-Xavier Bidauld (1745-1813), a landscape and still-life painter. Subsequently, they left Lyon to travel together in Switzerland and Provence. In 1783 he moved to Paris, where he met Joseph Vernet (from whom he received valuable advice), Joseph-Siffred Duplessis and Jean-Honor? Fragonard. In 1785 he went to Rome with the assistance of Cardinal de Bernis and his patron, the dealer and perfumer Dulac. He stayed there for five years, travelling through Tuscany, Umbria and Campania and painting such works as Roman Landscape (1788; Basle, Kstmus.). Bidauld was closely involved with the circle of French Neo-classical painters in Rome in the 1780s. He was friendly with Louis Gauffier, Nicolas-Antoine Taunay and especially with Guillaume Lethiere, who became his brother-in-law and with whom he occasionally collaborated. On his return to Paris in 1790 he travelled extensively in France,